Linsmore Tavern

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The Garrison

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Handlebar

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The Duke Toronto

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Black Bear Pub

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The Baby G

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Royal Canadian Legion Branch 614

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Rivoli

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The Cameron House

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The Swan A Firkin Pub

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Phoenix Concert Theatre Calendar Events

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The Opera House Music Calendar

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History Toronto Venue

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Southside Johnny’s Bar and Grill

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the Frog and the Crown

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Karaoke Toronto GTA

The Frog and Crown Bar and Grill
Southside Johnny’s
The Swan: A Firkin Pub
Royal Canadian Legion Br 614
Black Bear
The Duke

the Frog and the Crown

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Southside Johnny's Bar and Grill

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swan

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Royal Canadian Legion Branch 614

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black

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The Duke Live

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Discover the top karaoke bars and lounges in Toronto! Explore reviews, tips, and the best spots for a fun night of singing, entertainment, and unforgettable memories in the city

Calendar of Events Horseshoe Tavern

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Calendar of Events Of Lee’s Palace

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Gladstone Hotel

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Ben Anthony – Lavoz Delon Om – Live

Ben Anthony - Lavoz Delon Om - Live

Ben Anthony - Lavoz Delon Om - Live

#benanthonylavoz #delonom #lavalle #toronto #sashastoltz #newmusic #artist #junos #polaris #6ixbuzz

Smokeshow BBQ

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El Mocambo Music Calendar

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Great Hall Toronto Calendar

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the drake hotel Music calendar

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Monarch Tavern Calendar of Events

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Timothy’s Pub Calendar events

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Calendar of Events Danforth Music Hall

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Calendar of Events Adelaide Hall

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Calendar of Events Supermarket

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Friday Night Blues Jam feat. Mike Sedgewick Black Swan Tavern

Friday Night Blues Jam feat. Mike Sedgewick Black Swan Tavern

The Friday Night Blues Jam is hosted by the team of singer Robin Hutchison, and guitar player, Mike Sedgewick. The origins of the jam can be traced back to 2016 at a small bar in Toronto’s Beaches area called The Peppery Cat. Within’ a few months, they began to develop a unique brand of high level musicianship, fostered an environment of friendly and welcoming community, and built a reputation as one of the best places in the East End to catch authentic blues on a Friday night. It was not uncommon during that time to catch such guitar greats as Tony Springer and Frank Cosentino stop by and tear it up for a few songs. Gradually, in a grass roots approach, they built a solid following from local music fans. Consistently delivering quality music in a casual and impromptu way.

It was in 2017 that the Peppery Cat closed operations, and the jam was moved across Queen St. East to The Salty Dog. Both venues were owned by the same family so it was an easy and logical transition. Although slightly smaller in size, the Salty Dog had a more intimate and comfortable vibe. When it was filled with music fans, the energy for both performer and audience was unparalleled. It was during this time, up until it also closed in February 2020 (unrelated to covid), that the Friday Night Blues Jam really became what it is known for today. Many of the top players from Southern Ontario regularity would occupy the featured guest spot. It was not uncommon to have Juno winners, Maples Blues winners, and up and coming stars to be featured as guest, in the house band, or just drop by to play a few or mingle with the community. Musicians such as Tom Bona, Jonny Wong, Jesse Whiteley, Joshua Miller, Ian Andrews, Julian Fauth, Steve Grisbrook, Frank Cosentino, Rob Quail, Jerome Tucker, Tony Springer, Sugar Brown, Conor Gains, George Koller, Russ Boswell, Little Magic Sam, Nick Tabarias, Paige Armstrong, Tim Gittens, Tracey Gallant, John Fraser Findlay, Dan MacKinnon, Mike Nagoda, Sons of Rhythm, Meghan Parnell, Dave Barnes, Greg Godovitz, and Sandra Bouza, to name a few. Many friendships and professional relationships were forged during this time. International visitors would show up and share their stories of how they heard about the scene that was happening.

long mcquade

By February of 2020, those Friday nights were standing room only, and it was difficult to move in the confines of the venue. Serendipitously, the venue had been outgrown when the Salty Dog closed, and the jam needed a new home. The perfect opportunity was at the Black Swan Tavern (154 Danforth Ave). The Black Swan Tavern was bigger, had a more central location, and most importantly has a storied history of having some of the greatest blues musicians in the world play there during the days of the Kendall-Wall Band from the 80’s and 90’s. It was clear after the inaugural Black Swan event that they had indeed found their new home. A place to grow, evolve, and continue to fill the hearts of dedicated blues fans with some of the best music and energy that Toronto has to offer.

 

Tyler Yarema live at the Reservoir Lounge

Since 1993, Toronto-based musician, Tyler Yarema (then twenty-one years old) has been performing at the Reservoir Lounge, soon after its official opening in downtown Toronto. The self-taught musician (pianist and vocalist) currently plays weekly on Friday and Saturday evenings, beginning at 9:30pm. Last Friday was the first show post-COVID and was received extremely well by the patrons at the Lounge; a clear relief as many locals had their first taste of live music post-pandemic.

Sonetta Duncan

Though, I use the term “self-taught,” Yarema would prefer the term “self-educated.” The difference being that self-taught implies learning without external sources. Self-educated is more a personal study from both the artist themselves, and other artists and teachers and resources.

Yarema has been dabbling in music since the ripe age of thirteen, where he would play guitar in jam sessions with friends. At the age of sixteen, one of his co-dabblers brought their keyboard. As soon as Yarema sat down with the keys, he knew that his life had changed. While something beyond him (one-might-say, divine source) took over, he knew he had found his calling.

Tyler Yarema

Throughout his youth, he would ditch classes to play the school piano instead of studying. It didn’t take long before his mother accepted this as part of his artistic process.

Upon asking Yarema advice for other musicians, he agreed that while things differ from individual to individual, as well as place to place and time to time, it really does depend on three huge factors. The first being, the patience and time to dedicate into learning a new skill and surrendering your life to said skill. The second being the commitment to jam sessions and playing with as many different artists as possible, in as many venues, locations, and circumstances as one can manage. But the third, and arguably most important factor is something beyond you, a skill set you were given at birth. To quote, to be an artist requires something that the “good lord gave you that sets you 1,000 miles beyond your colleagues” before you even begin the learning process. Many true artists can emphasize with this factor, feeling as though they are a vessel to their art and not truly creating it externally, but it comes from something within one’s self. A drive beyond their own function.

Tyler Yarema

Yarema’s main advice for fellow musicians starting out – while things are constantly changing, just keep performing. Keep doing what you love. Keep learning and keep dabbling. Also, try out open-mic nights, as you never know where one avenue might lead.

Yarema has recently been invited to join the Downchild Blues Band as the keyboardist, the first show will be during the Tim Hortons Southside Shuffle.

by Sonetta Duncan + Pics By Paul

Calendar of Events Black Swan

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The Rex Hotel Toronto

Late Nights at The Rex: Musings About a Unique Toronto Venue

The live music venue is known for its retro-chic décor, and of course, the infamous and by-now-beloved pillar in the middle of the dining area. It’s this unique modern-yet-historical charm that makes it so distinct – and so popular as a late-night hangout spot. For many years it’s been a central venue for the TD jazz festival. Why wouldn’t it be, given that it’s such a household name? Believe it or not, though, The Rex started out from seriously humble roots. In 1960, Bob Ross bought out the cute but unremarkable United Clothing Store and converted it into an expanded bar, which quickly attracted an audience. Around 20 years later, as Queen Street West became increasingly hip, Ross realized that he had better keep up with the times if he wanted to boast a poppin’ venue for local clientele. Initially he hosted mainly pro-alt-country and rockabilly music, genres that are scarcely recognizable today. But all that was soon to change.

https://moccasin-okapi-513349.hostingersite.com/ printed in LIVE MUSIC GUIDE newspaper

https://moccasin-okapi-513349.hostingersite.com/ printed in LIVE MUSIC GUIDE newspaper

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In the early days of the venue, Bob Ross would shut down early, go to the nearby jazz bar Bourbon Street & Basement Street, and chillax with the musicians till the early hours of the night. Eventually they started showing up at the Rex between sets – mostly for the bargain drinks. So it was a combination of sociability and business savvy (read: cheap beer) that lay down the roots of The Rex as we know it today.

One seemingly ordinary night, Canadian saxophonist DT Thompson was playing down the street. After a set, the jazz musician strutted in casually, playing “When The Saints Go Marching In” while prancing around the bar. Eventually he found his way to the bar, and requested a rye and coke for his impromptu entertainment. Ross was seemingly more amused than anything, because from that day forward the venue has been known predominantly for its jazz and blues shows.

 

 

 In the early days of the venue, Bob Ross would shut down early, go to the nearby jazz bar Bourbon Street & Basement Street, and chillax with the musicians till the early hours of the night. Eventually they started showing up at the Rex between sets – mostly for the bargain drinks. So it was a combination of sociability and business savvy (read: cheap beer) that lay down the roots of The Rex as we know it today. One seemingly ordinary night, Canadian saxophonist DT Thompson was playing down the street. After a set, the jazz musician strutted in casually, playing “When The Saints Go Marching In” while prancing around the bar. Eventually he found his way to the bar, and requested a rye and coke for his impromptu entertainment. Ross was seemingly more amused than anything, because from that day forward the venue has been known predominantly for its jazz and blues shows. The bar has been renovated many times over the years, but none of the changes have modernized it so much as to take away its characteristic and unmistakable Old Toronto feel. The bar is still owned by Bob Ross, and now he has his grandson Avi around to manage it with him. Tom Tytel took over booking in the 90s, and he’s been the go-to guy ever since. The Rex may be a bar, but it seems to be equal parts a family.

The bar has been renovated many times over the years, but none of the changes have modernized it so much as to take away its characteristic and unmistakable Old Toronto feel. The bar is still owned by Bob Ross, and now he has his grandson Avi around to manage it with him. Tom Tytel took over booking in the 90s, and he’s been the go-to guy ever since. The Rex may be a bar, but it seems to be equal parts a family.

 

Calendar of Events RESERVOIR LOUNGE

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Calendar of Events BOVINE SEX CLUB

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Calendar of Events THE REX HOTEL

 

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OPENING PARTY Indie Music Week 2015

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NXNE 2014 Wed Music Festival Toronto Pics

NXNE 2014 Wed Music Festival Toronto Pics

The Ian Fays

Nice people – they were already finished, when i got to the “Boat”
The baby plays the drums!belt

The Van Allen Belt

Had a video running behind them that was by itself a wonderful work of art. Could have used a little less bass rumble.
The Girl can sing and the band was a man with a computer, with another guy with a keyboard. Above average for the “Indie Music Biz” but played to 15 people. Sad waste of time for a group to travel so far and not to be promoted. See pic below

 

Old and Weird

these Cute young girls played to a busy bar across the street.  And made better by the province of NOVA SCOTIA
But sadly badly off key singing made them miss my top ten … please get better

Monomyth

Monomyth

Right on after the girls — these boys could sing — packed house — nice to see so many “young people”
maybe there is hope of live music after all.  your usual “indie Music Stuff” nothing outstanding in songwriting dept

fever

Fevers

Both singers could hold a note, but were usually lost in the mix. Great lights, above average in the “indie Music Stuff”
had great energy — but only got a “c-”  in songwriting.  too bad indie music people do not go to class about writing good
pop hooks — you know the song that drives you nuts — in your head — you need to hear it again

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